Hear from Our Customers
You’re not looking for just another photographer. You want someone who understands that you’re spending money on something that needs to actually matter – images you’ll use for your business, hang on your wall, or look back on years from now without cringing.
That means getting it right the first time. No awkward poses that feel forced. No lighting that makes you look washed out or harsh. No wondering if your outfit choice was a mistake until after you see the proofs.
What you get instead is a session where someone who’s been doing this for over two decades walks you through the process. You’ll know what to wear before you show up. You’ll feel comfortable during the shoot because the focus is on capturing authentic expressions, not manufacturing fake smiles. And you’ll see the results the same day – no waiting weeks to find out if the session was worth your time.
We’ve been working with families and businesses across the Houston area since long before smartphone cameras convinced everyone they didn’t need a professional. That experience matters when you’re the one in front of the lens.
Addicks sits right in the heart of one of the fastest-growing photography markets in Texas, which means you have options. Lots of them. What separates two decades of work from someone who just bought a nice camera is knowing how to handle the kid who won’t sit still, the executive who’s camera-shy, or the senior who’s stressed about how they’ll look in their graduation portraits.
You’re working with someone who’s photographed corporate teams in the Energy Corridor, families in Katy, and headshots for professionals across Memorial and Bellaire. That’s not name-dropping – it’s context. You want someone who understands the market you’re in and the standards you’re holding them to.
First, you’ll talk through what you need. Family portraits, business headshots, senior photos, maternity session – whatever it is, that conversation covers wardrobe guidance, location options (studio or on-site), and timing. You’re not guessing what to wear or wondering if your living room has good light.
On shoot day, you show up and the technical stuff is already handled. Lighting is set. Equipment is ready. If you’re doing this at your office or home within twenty miles of the studio, that’s included – no extra travel fees for areas like Downtown Houston, Katy, the Energy Corridor, or Bellaire.
During the session, you’ll get direction that actually helps. Small adjustments to posture, where to look, how to stand. It’s not about forcing you into uncomfortable poses – it’s about working with how you naturally move and look so the final images feel like you, just professionally captured.
After the shoot, you can review images the same day if that’s what you need. Turnaround on final edited files depends on the package, but rush delivery is available if you’re on a deadline. You’ll get digital files, and print or wall art options if you want them.
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Every portrait session includes a pre-shoot consultation so you know exactly what to expect and what to bring. That’s where wardrobe questions get answered, locations get confirmed, and any concerns about how you or your family will look get addressed before you’re in front of the camera.
You’re getting professional-grade equipment and lighting setup, whether that’s in-studio or on location. For Houston-area clients, that includes a complimentary twenty-mile travel radius covering Addicks, Katy, Downtown Houston, the Energy Corridor, and Bellaire. If you need someone to come to your office for corporate headshots or your home for family portraits, that’s built in.
Post-production editing is part of the package. That means color correction, lighting adjustments, and retouching that keeps you looking natural – not airbrushed into someone else. The goal is images that look polished and professional without looking fake.
You’ll have multiple package options depending on what you actually need. Basic digital file delivery if you just want the images. Print packages if you’re looking for physical copies. Wall art and album options if you’re planning to display these long-term. Pricing is transparent upfront, and rush services are available when timing matters.
This is one of the most common regrets clients mention after a session – wishing they’d chosen different clothing. That’s why we cover it in the consultation before you ever show up.
For business headshots, you want what you’d wear to an important meeting. Solid colors usually photograph better than busy patterns. Avoid anything too trendy unless that’s specifically your brand – you want these images to stay relevant for a few years.
For family portraits, coordinating doesn’t mean matching. Think complementary colors and similar style levels – if one person is in jeans and a nice shirt, everyone should be in that same casual-but-put-together range. Avoid logos, busy patterns, or anything you’ll look at in five years and immediately know what year the photo was taken.
If you’re unsure, ask during the consultation. You can even send photos of outfit options ahead of time to get feedback. That’s a lot easier than realizing during the session that something isn’t working.
Most portrait sessions run between 30 minutes to an hour, depending on what you’re shooting. A straightforward business headshot session might be done in 30 minutes. Family portraits with multiple people and outfit changes could take the full hour or slightly longer.
The goal isn’t to rush you through, but it’s also not to drag things out unnecessarily. Kids get tired. Adults get self-conscious the longer they’re in front of a camera. The session is structured to get quality shots efficiently without making it feel like a marathon.
If you’re doing corporate headshots for a whole team, timing gets scheduled per person – usually 10-15 minutes each once the lighting is set up. That way everyone knows when to show up and the workday isn’t completely disrupted.
You’ll get a realistic time estimate during the initial consultation based on what you’re booking. If you have specific time constraints – need to be done by a certain time, have a kid who naps at a specific hour – mention that upfront so the session can be planned around it.
This is a legitimate concern, especially when you’ve seen portrait work that looks like the person’s skin was replaced with plastic. That’s not the goal here.
Editing focuses on color correction, lighting balance, and natural retouching. That means removing temporary things – a blemish that showed up that week, a stray hair across your face, uneven lighting that creates harsh shadows. It doesn’t mean erasing every line on your face or changing your actual features.
You should look like yourself in professional lighting with professional equipment – not like a different person. The images are polished, not fake. If you have specific concerns about what you do or don’t want edited, bring that up before the session or during the review process.
The difference between professional editing and over-editing is whether someone who knows you would recognize you immediately in the photo. If your own family has to look twice, that’s too much. The standard here is images that look crisp, well-composed, and professionally lit while still looking authentically like you.
Kids are unpredictable. That’s not a problem – it’s just part of photographing families. The session is structured with that in mind.
First, timing matters. If your child naps at 1 PM, don’t book a 12:30 session. Schedule when they’re usually in a good mood and well-rested. That gets covered in the consultation.
During the session, the approach is to work with how kids actually behave, not force them into stiff poses they’ll hate. Sometimes that means taking breaks. Sometimes it means letting them move around and capturing candid moments instead of formal portraits. Sometimes it means the parents get photographed first while the kid warms up to the environment.
You’re working with someone who’s photographed enough families to know that meltdowns happen, attention spans are short, and the best images often come from the moments between the posed shots. The goal is to get quality images without making the experience miserable for everyone involved.
If things really aren’t working – the kid is sick, overtired, or just having an off day – it’s better to reschedule than to push through and end up with photos where everyone looks miserable. That’s a conversation that can happen in the moment if needed.
Pricing varies based on what you’re booking, but transparency matters more than giving you a range so wide it’s meaningless. Photographers in the Houston market typically charge between $25 and $500 per hour, with most falling in the $94 to $262 range. Day rates for commercial work run from $300 to $3,000 depending on complexity.
For portrait sessions specifically, you’re looking at package pricing that includes the session itself, a set number of edited images, and delivery format – digital files, prints, or both. Basic packages start lower. Premium packages with more images, faster turnaround, prints, or wall art cost more.
What you’re paying for is two decades of experience, professional equipment, proper lighting setup, post-production editing, and the difference between images you’ll actually use versus ones that sit on a hard drive forever. You’re also paying for the consultation beforehand, same-day image review options, and someone who knows how to make you look good even if you hate being photographed.
If you need a specific quote, that comes from a conversation about what you actually need – headshots for one person, family portraits, senior photos, corporate team headshots. Reach out with details and you’ll get real numbers, not vague estimates.
Yes, and for clients within a twenty-mile radius of the studio, travel is included in the session price. That covers most of the Houston area you’d expect – Addicks, Katy, Downtown Houston, the Energy Corridor, Bellaire, Memorial, and Sugar Land.
On-location sessions work well for corporate headshots at your office, family portraits at your home or a meaningful outdoor location, or senior portraits somewhere that reflects the graduate’s interests. The setup is mobile – lighting, backdrops if needed, and all the equipment that would be used in-studio.
If you’re outside that twenty-mile radius, travel is still possible but there may be an additional fee depending on distance. That gets discussed during the consultation so there are no surprises.
Location choice matters for the type of portraits you’re getting. Studio sessions offer controlled lighting and a variety of backdrop options. On-location sessions offer personalized settings and natural environments. Some clients do both – headshots in-studio and family portraits on-location. It depends on what works for what you’re trying to capture.
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